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“Iggy is the like the Pope or The Queen,” acolyte Casey Chaos once noted, “you gotta respect the guy.” A curious analogy, but we kinda understand. Born James Jewel Osterberg in a Michigan trailer park, Iggy Pop is the absolute embodiment of non-comformist rock ‘n’ roll attitude. With Detroit’s The Stooges Pop invented punk rock at the tail end of the ‘60s, and he’s been kicking against the pricks ever since. Despite lacking anything close to a ‘hit’ record, his impact upon the rock scene is incalculable, with everyone from Sex Pistols to Red Hot Chili Peppers, Slayer to Guns N’ Roses covering his songs. Now in his 60s, he’s still more punk rock than you will <> be.
Name: The Stooges:Fun HouseLabel: ELEKTRAYear: 1970
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Review: The definitive garage rock recording, ripped to the tits on cheap amphetamines, seething with tension and permanently teetering on the brink of collapse. The Stooges second album built on the raw energy of their self-titled debut with better songs and even more bug-eyed intensity from their frontman. A massive influence on everyone from Black Flag to QOTSA, it remains the benchmark against which all ‘punk’ rock must be measured.
Name: Raw PowerLabel: COLUMBIAYear: 1973
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Review: Dropped by Elektra after ‘Fun House’ died a commercial death, Pop dragged new guitarist James Williamson to London to put together a new look Stooges…only to re-hire the Asheton brothers for the recordings. More focused than earlier Stooges work, even a rubbish mix by David Bowie couldn’t deaden its energy. Listening back to his own vocals for a 1986 remix Pop himself noted “Goddamn, that guy is <>.”
Name: Lust For LifeLabel: VIRGINYear: 1977
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Review: Holed up in Berlin in 1977, subsisting on a diet of cocaine and experimental sex, Pop had rarely been happier. Shot through with decadence and a gleeful sense of sin, the singer’s most famous solo album is all energy and edge and swagger and bounce, the work of a man pretty much convinced that he’s indestructible.
Name: The IdiotLabel: VIRGINYear: 1977
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Review: Post-Stooges, Pop was - not entirely unfairly - written off as a drug-addled mentalist by the world…save for longtime friend David Bowie, who dragged him out of a LA psychiatric clinic, assembled a new band for him, wrote him a bunch of songs and dragged him back into a recording studio. The results were mellower than his Stooges work, framed by darkness and a sense of ‘been there, snorted that, might do it again’ ennui.
Name: PartyLabel: ARISTAYear: 1981
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Review: Though his reputation as a live performer has never been in question, in all honesty, a good 80% of Pop’s output in the ‘80s was formulaic shit, with the singer veering dangerously close to self-parody. The New Wave-tinged ‘Party’ was a blatant stab at commercial pop-rock, and frankly, an embarrassment to the man.
Key IGGY POP Tracks
CHINA GIRL
<<“I’m just a wreck without my little china girl.>> A straight-up love song, humming with contentment. Co-writer Bowie took the song into the UK Top 10 in 1882, effectively bank-rolling his fiend’s career for the remainder of the decade.
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Find It: ‘The Idiot’, 1977
DIRT
<<”I been dirt and I don’t care.>> Squalid, self-loathing sludge rock, with Iggy sounding fucked-up and wholly unhinged.
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Find It: ‘Funhouse’, 1970
GIMME DANGER
A song for the bad girls who made Pop’s love life so troubled and interesting. The title could act as a <> for the singer’s life.
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Find It: ‘Raw Power’, 1973
I WANNA BE YOUR DOG
The ultimate filthy, fuzzed-up S&M hymn. Ripped off countless times since, the most noteworthy cover seeing Gary Oldman impersonating Sid Vicious impersonating Iggy on the ‘Sid & Nancy’ soundtrack.
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Find It: ‘The Stooges’, 1969
I’M BORED
A cheeky tip of the hat to Frank Sinatra, with Iggy playing to type with a drawling “I’m bored, I’m the chairman of the bored”. Used to soundtrack Grolsch adverts in the late ‘90s.
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Find It: ‘New Values’, 1979
LOOSE
A tough guy anthem, all muscle, machismo and menace. When Iggy sings <<“I stick it deep inside”>> it’s unclear whether ‘it’ is his famously impressive schlong or a six inch knife blade. Probably best we never find out.
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Find It: ‘Funhouse’, 1970
LOUIE LOUIE
Proto-punk rock from The Kingsmen and the final track of the final Stooges live show with Pop bravely/foolishly facing down notorious motorcycle gang the Scorpions as bottle, chairs and, incredibly, shovels rained down around his ears. Beyond punk.
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Find It: ‘Metallic K.O.’, 1976
LUST FOR LIFE
Iggy’s best known song, co-written with producer/mentor David Bowie. Thanks to its appearance on the ‘Trainspotting’ soundtrack, now inseparable from images of Scottish skag addicts hurdling cars.
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Find It: ‘Lust For Life’, 1977
NIGHTCLUBBING
A self-explanatory ode to the joys of trawling Berlin’s seediest flesh palaces in search of girls, drugs and all things wrong.
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Find It: ‘The Idiot’, 1977
NO FUN
Minimalist, hugely exciting blank-eyed nihilism from a feral youth bored with being bored. The Sex Pistols baed their entire career on this song.
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Find It: ‘The Stooges’, 1969
REAL WILD CHILD
Swaggering, if cliched rock ‘n’ roll bravado, originally a hit for Aussie rockabilly hero Johnny O’Keefe. Rather shamefully, it remains the Igster’s only UK Top 10 single.
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Find It: ‘Blah, Blah, Blah’, 1986
REPO MAN
The title track of cult director Alex Cox’s 1984 movie. “I was a teenage dinosaur…” sings Iggy. “I didn’t get fucked and I didn’t get kissed.” Liar.
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Find It: Various Artists, ‘Repo Man OST’, 1984
SEARCH AND DESTROY
Written under the influence of heroin in London’s Kensington Gardens after Pop had read the title in a Time magazine article about the Vietnam War. Fuck knows what a <<“street walking cheetah with a heart full of napalm”>> actually is, but it sounds cool as hell.
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Find It: ‘Raw Power’, 1973
THE PASSENGER
Loosely based on an unfinished poem by The Doors’ Jim Morrison, and swinging with cafefree abandon, this is Pop at his most accessible and hummable.
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Find It: ‘Lust For Life’, 1977
TV EYE
Bass-driven. prowling thug rock, twitching with Orwellian paranoia and tension. Typical Stooges, in other words.