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Welcome to Kerrang!'s essential guide to the greatest bands rocking our world. Discover new acts or re-acquaint yourselves with the legends... it all starts here.

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Jimmy Eat World
Jimmy Eat World

PULLING OFF the impressive feat of retaining indie credibility while debuting on a major label, Jimmy Eat World emerged from Mesa, Arizona in the mid-'90s with their catchy, heartfelt blend of rock and emo. Equally adept at huge, sing-along choruses as they are at intelligently articulating the kind of sentiments that everyone can relate to, the four-piece have carved out a niche for themselves while refusing to be pigeonholed. Dropped after their second album on Capitol, who seemed confused as to how to market them, JEW raised a middle finger to their former paymasters by self-financing the brilliant 'Bleed American', the record that broke them to a huge audience. Releasing albums of enviably consistent quality and with an energetic live show that pushes their rockier side to the fore, Jim Adkins' band have fostered a dedicated following through remaining committed to what they do. And doing it better than everyone else.

Clarity
Name: Clarity Label: CAPITOL Year: 1999

Review: Glorious is perhaps the best word to capture the essence of 'Clarity'. Overflowing with flawless melodies backed up not only by magnificent musicianship but a ton of heart, this is the album that renders the label 'emo' redundant. Every note and syllable resonates with the kind of heartfelt emotion we'd like to think is poured into everything we listen to.

Bleed American
Name: Bleed American Label: DREAMWORKS Year: 2001

Review: Forced to change the name of the record to 'Jimmy Eat World' in the wake of 9/11, the bands' third album saw them taking a far more rocked up, anthemic direction. While slightly less intricate, the radiant melodies remain in force and the sheer exuberance driving the whole thing ensured that they deservedly picked up a ton of new fans.

Futures
Name: Futures Label: DREAMWORKS Year: 2004

Review: Sticking largely to the formula of 2001's 'Bleed American', 'Futures' mixes crunchy, rockier numbers with delicate, fragile songs, everything shot through with heart and honesty. While the title-track is a stomper to die for, 'Kill' and epic closer '23' proved that their grasp of heartrending melodies and soul-searing sentiment is only getting stronger.

Static Prevails
Name: Static Prevails Label: CAPITOL Year: 1996

Review: It's tricky to pull a wild card from Jimmy Eat World's career because there has been little in the way of curveballs, so their first album 'Static Prevails' will have to suffice. Inarguably yielding numerous gems, it's the sound of a band still forming their identity, which makes it an overall marginally less satisfying listen than the records that followed.

Singles
Name: Singles Label: BIG WHEEL RECREATION Year: 2000

Review: Again, far from a bad record, 'Singles' does what it says on the tin and cobbles together various recordings from the earliest stages of their career. Displaying a predictably rawer sound with far lower production values, 'Opener' and 'Untitled' still stand among the finest songs they've released but elsewhere it's very much a hit and miss collection.

    Key Jimmy Eat World Tracks
  • 23

    SEVEN MINUTES of chill-inducing melodies on a bed of plaintive strings, layered guitar, piano and cascading vocals. Melancholic, uplifting, tragic and utterly, utterly beautiful.

    Find on iTunes Find It: 'Futures', 2004
  • A PRAISE CHORUS

    AS INFECTIOUS as it gets, this deceptively simple rock nugget is a rush of big-hearted vocal harmonies and fuzzed up guitars to die for.

    Find on iTunes Find It: 'Bleed American', 2001
  • BLEED AMERICAN' (AKA 'SALT, SWEAT, ...

    THE STORMING riffs and in-your-face attack of this came as quite a shock to anyone unaware that JEW could rock like motherfuckers when the mood took them.

    Find on iTunes Find It: 'Bleed American', 2001
  • CALL IT IN THE AIR

    "Using 'Starlight, star bright' as lyrics is potentially risky but when the words are backed by such towering guitar melodies, you somehow forgive them."

    Find on iTunes Find It: 'Static Prevails', 1996
  • CRUSH

    A SHIMMERING rush of guitarified energy that breaks into glorious crescendo after glorious crescendo. A multiple orgasm of guitar pop genius.

    Find on iTunes Find It: 'Clarity', 1999
  • DISINTEGRATION

    VAST, TUMBLING drums, chanted vocals that sound like a prison chain gang, haunting atmospherics and a heartrending chorus blend seamlessly to form this moving and ambitious epic.

    Find on iTunes Find It: 'Stay On My Side Tonight' EP, 2005
  • FIRESTARTER

    TURNING THE Prodigy's berserk techno monster into a slow burning, subtly melodic dirge might seem like insanity to most yet JEW's rendition is bizarrely moving.

    Find on iTunes Find It: 'Firestarter' EP, 2004
  • FOR ME THIS IS HEAVEN

    Fans actually held the bands' possessions hostage to ensure this gentle lament was played at one 2002 gig - not cool, but totally worth it.

    Find on iTunes Find It: 'Clarity', 1999
  • FUTURES

    A BIG, Foo Fighters-esque rocker with a chorus aimed directly at the stratosphere. A truly joyous album opener.

    Find on iTunes Find It: 'Futures', 2004
  • GOODBYE SKY HARBOUR

    OVER 16 minutes long, this experimental epic descends into seemingly endless loops and off-kilter electronics yet still carries a powerful emotional punch.

    Find on iTunes Find It: 'Clarity', 1999
  • HEAR YOU ME

    DRIFTING BY at a snail's pace and so brittle it sounds like a stiff breeze could blow it apart, a delicate, elegant lament.

    Find on iTunes Find It: 'Bleed American', 2001
  • KILL

    'YOU ALWAYS know the perfect thing to say/I know what I should do but I just can't walk away.' And a million broken hearts agree.

    Find on iTunes Find It: 'Futures', 2004
  • LUCKY DENVER MINT

    'YOU'RE NOT bigger than this, not better/Why can't you learn?' Those drums! Those guitars! Those vocals! That chorus! That bridge! That climax! That outro! Perfect.

    Find on iTunes Find It: 'Clarity', 1999
  • OPENER

    "AN EARLY hint of their melodic greatness wrapped up in clattering drums and abused guitars. Old school emo from the heart."

    Find on iTunes Find It: Singles', 2001
  • ROCKSTAR

    ANTHEMIC, OVERLOADED with a sunny, feelgood tone and featuring a gorgeous slow building bridge and huge climax. Puts the likes of Blink 182 to shame.

    Find on iTunes Find It: 'Static Prevails', 1996
  • TABLE FOR GLASSES

    A GENTLE crawl through achingly melancholic territory, the multi-layered vocals propel the climax to truly magnificent heights. Total lump-in-throat time.

    Find on iTunes Find It: 'Clarity', 1999
  • THE MIDDLE

    THE 'BIG radio song', a straightforward, perfect pop song that demands you smile as it bounces past you. Like summer's here every time you press play.

    Find on iTunes Find It: 'Bleed American', 2001
  • THE MOST BEAUTIFUL THINGS

    WITH FRAGILE verses exploding into anthemic choruses and a huge Smashing Pumpkins-esque bridge, it's criminal that this never made it onto one of their full-lengths.

    Find on iTunes Find It: 'Jimmy Eat World/Jebediah Split' EP, 2000
  • UNTITLED

    ACHING, CRYSTALLINE guitars, droning feedback and faraway vocals resonate together in a near perfect two 1/2 minutes of beautiful melancholy.

    Find on iTunes Find It: Singles', 2001
  • WORK

    PERFORMING THIS in American teen-soap 'One Tree Hill' probably won't have helped Jimmy Eat World's indie cred but it's still a gorgeous, affecting song.

    Find on iTunes Find It: 'Futures', 2004