Another title so catchy that it’s a struggle to think that someone actually invented it. Motörhead did, of course, and as you might expect it’s a rollocking ride that’s still a live favourite.

Don’t everyone already own this? If not, get hold of it: a fist pumping, adrenaline shot of classic rock ‘n’ roll. The band must have performed it a thousand times, most notably on ‘80s TV show The Young Ones.

They had a point to prove after the weak March Or Die, so Motörhead fired back with a number of pleasingly thrashy numbers on their next record. Born To Raise Hell does just that and is the best of the bunch.

On fire and kicking ass, the original Motörhead line-up of Lemmy, ‘Fast’ Eddie Clarke on guitar and drummer ‘Philthy Animal’ Taylor kick-started Bomber like men on a mission with this anti-heroin missive.

The title-track from arguably the last of the ‘classic’ Motörhead albums, Iron Fist is as punishing and heavy as its title suggests. The tides of what’s popular promptly started to change outside the band after this point, though.

The first track the band ever commited to tape, in the choronological order of their back catalogue. It’s the calling card you might expect: unrelenting and welcomed by the ears of everyone who wanted something new.

A remembrance of the horrors of the first World War, this sobering number shows Lemmy enduring it all while the personnel changes have left him as the only original member of Motörhead, retaining their trademark sound.

Numerous Motörhead songs have been covered, but when Brazilian metal lords Sepultura breathed new life into Orgasmatron it was a timely reminder of the original’s importance. A bold, almost psychedelic gamble that paid off.

Perhaps the band’s second-most famous song, behind you know what, Overkill tears a strip off heavy music and shows it to itself. This is Lemmy in his prime, barking out his performance, almost rallying his troops.

Returning to pure rock ‘n’ roll territory after a thrashy diversion, Overnight Sensation is a tongue-in-cheek nod to the band’s longevity and a rare moment of pure honesty without the bluster from Lemmy & co.

The lead-off track from their latest album shows that Lemmy’s lost none of his guile and sense of fun that go hand in hand with the band’s more serious, punk and thrash moments.

Given it’s one of the more frantic numbers from their later period, it’s ironic that See Me Burning appears on the decidedly mature We Are Motörhead. Proof that they’re not beyond rocking out, no matter what their age.

Another famous old school number and a timely reminder for anyone who thought that the band were only about sex, drugs, black cowboy hats and a cool logo. It’s a live favourite, too boot.

Another take-no-prisoners, rock ‘n’ roll number from Bomber. Stone Dead Forever is another Motörhead anthem that comes with teeth and would kick any naysayers in theirs, should they question the band’s importance.

No-one kicks off an album quite like Motörhead. With One More Crooked Mile, the trio confirmed that they’ll always throw up at least one songs that bears repeated listens, even if the rest of the album isn’t quite up to scratch.

Proof that Lemmy is still capable of throwing you the odd cruveball in his old age, Whorehouse Blues is a bluesy acoustic jam that lets his world-weary songwriting prowess shine.