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The Haunted

Grunge is dead, Nu-Metal is rising and – for the time being – thrash is a largely dirty word. Enter The Haunted. Formed by ex-At The Gates trio Adrian Erlandsson (drums) and twins Jonas and Anders Björler (bass and guitar) two years earlier, the quintet – completed by second guitarist Patrik Jensen and vocalist Peter Dolving – produced arguably one of modern metal’s most acclaimed albums. Combining the trademark Gothenburg harmonies of At The Gates with furious Bay Area crunch, ‘The Haunted’ saw the quintet heralded as one of the most essential bands of their time. At an early UK show supporting Napalm Death, K! quoted one gobsmacked punter as remarking that it was “like watching Slayer and Pantera at the same time!” He was not wrong. However, chaos was lurking just around the corner, with Erlandsson jumping ship in favour of Cradle of Filth, and Dolving exiting soon after while battling with extreme depression. Recruiting Per Jensen on drums and Marco Aro on vocals the band produced two further albums in ‘The Haunted Made Me Do It’ and ‘One Kill Wonder’, but it was the full-circle return of a rejuvenated Dolving in 2003 that saw the band enter their deadliest era yet. Producing two of their most organic sounding records to date in 2004’s ‘rEVOLVEr’ and last year’s ‘The Dead Eye’, The Haunted remain true leaders, copied by many, but equalled by few.

The Haunted
Name: The Haunted Label: EARACHE Year: 1998

Review: DELIVERED IN a time when alternative music was less about substance and more about bagginess of clothing, many consider this wrecking ball of a debut to be a genuine heavy metal saviour. Barely 40-minutes in length, each track was a spitting cobra of thrash fury and social disgust that swiftly set up The Haunted with a reputation as bona-fide metal masters.

rEVOLVEr
Name: rEVOLVEr Label: CENTURY MEDIA Year: 2004

Review: HAVING WELCOMED original vocalist Peter Dolving back into the fold, ‘rEVOLVEr’ also saw the band reborn on a creative level. Stretching their song writing abilities further than ever before – a tactic which would come to fruition further two years later – it birthed some of their most chilling melodies and devastatingly crushing grooves to date.

The Haunted Made Me Do It
Name: The Haunted Made Me Do It Label: EARACHE Year: 2000

Review: ALTHOUGH EFFECTIVELY more of the same, ‘Made Me Do It’ succeeded in picking up almost exactly where the band had left off two years prior. With Marco Aro’s deep-throated grunt taking centre stage and Per Jensen behind the kit they began to creep into their most extreme territories yet, spawning a number of continued fan favourites along the way such as the blistering ‘Bury Your Dead’.

The Dead Eye
Name: The Dead Eye Label: CENTURY MEDIA Year: 2006

Review: THE FIFTH and most recent chapter in Haunted history is also their most diverse and adventurous. With Dolving contributing to consecutive albums for the first time in their history its sound is one of organic creativity, blending slow-burning rage with a subtle rock and roll twist. A risky but arguably successful sucker-punch that few could have foreseen.

One Kill Wonder
Name: One Kill Wonder Label: EARACHE Year: 2003

Review: A DECENT album by all accounts, the band’s third offering narrowly fails to match the towering standards either side of its inception. Overflowing with supercharged drumming and smoking riffs, it represents their most direct and utterly uncompromising record to date, shitting over most other modern day metal albums, if not any of their own.

    Key The Haunted Tracks
  • ‘ABYSMAL’

    One of the most varied songs in the Haunted artillery. Sinister in its delivery it gradually snowballs from slow-burning delicacy to an abrasive hate-fuelled stomp.

    Find on iTunes Find It: ‘rEVOLVEr’, 2004
  • ‘BURNT TO A SHELL’

    Largely positive in its message, it represents another example of The Haunted’s ever increasing tendencies towards mixing subtle atmospherics with blistering rage.

    Find on iTunes Find It: ‘rEVOLVEr’, 2004
  • ‘BURY YOUR DEAD’

    One of the band’s definitive anthems, beginning with a nimble-wristed drum roll before breaking into a metallic cocktail of speed and fearsome string-led melodies. Like a thrash hand-grenade.

    Find on iTunes Find It: ‘The Haunted Made Me Do It’, 2000
  • ‘D.O.A.’

    This begins with the sound of a marching military procession before unleashing a barrage of brutal riffs that twist with the same deadly precision as a knife through flesh.

    Find on iTunes Find It: ‘One Kill Wonder’2003
  • ‘FIRE ALIVE’

    Possibly the album’s most punishing highlight it can only be found on the largely unavailable digipack version, but a stint on eBay could prove worth its weight in gold. And riffs.

    Find on iTunes Find It: ‘rEVOLVEr’, 2004
  • ‘FORENSICK’

    Providing a bleak, saddened and ultimately accurate sociological outlook on the world, building from chilling spoken word poetry into unconfined ferocity.

    Find on iTunes Find It: ‘The Haunted’, 1998
  • ‘HATE SONG’

    A venomous rampage of relentless drum bursts, thrash metal ferocity and scalding punk-tinged vocal rants. In exactly three terrifying minutes, The Haunted had arrived.

    Find on iTunes Find It: The Haunted’, 1998
  • ‘HOLLOW GROUND’

    Yet another long standing favourite, as well as a refresher on how to mix huge hooks and bleak lyrical content without sounding like whiny little tarts.

    Find on iTunes Find It: ‘The Haunted Made Me Do It’, 2000
  • ‘IN VEIN’

    An early glimpse into the band’s ability to mix dual-lead metallic harmonies with huge yet ultimately violent hooks, however dark the subject at hand.

    Find on iTunes Find It: ‘The Haunted’, 1998
  • ‘NO COMPROMISE’

    Just as its name would suggest this lethal album opener detonates with unnerving power, topped by a rejuvenated Dolving’s refined yet ever spiteful bark.

    Find on iTunes Find It: ‘rEVOLVEr’, 2004
  • ‘SABOTAGE’

    Arguably their most hardcore influenced track to date. Filled with rampant drumming and a crushing middle breakdown, this is two and a half minutes of uncensored fury.

    Find on iTunes Find It: ‘rEVOLVEr’, 2004
  • ‘SHADOW WORLD’

    A no holds barred assault that will leave you bruised and bloodied. If having your arse repeatedly kicked with running-spikes for three and a half minutes appeals to you, look no further.

    Find on iTunes Find It: ‘One Kill Wonder’, 2003
  • ‘SHITHEAD’

    A raw and uncompromising speed metal tornado that leaves a feeling akin to having your balls repeatedly slapped with nettles. Happy listening, shithead.

    Find on iTunes Find It: ‘One Kill Wonder’, 2003
  • ‘THE DROWNING’

    Undoubtedly the most rock and roll infused effort in Haunted history. Shifting gears with ease and regularity, it stands as one of the album’s most intriguing moments.

    Find on iTunes Find It: ‘The Dead Eye’, 2006
  • ‘THE FLOOD’

    A gut-busting kick drum flurry paves the way for a mammoth opening groove, before slowing to a spoken word standstill as a fresh source of creativity is tapped.

    Find on iTunes Find It: : ‘The Dead Eye’, 2006
  • ‘THE PROSECUTION’

    ‘Forgive my lack of empathy / Oh I just love watching you bleed’ taunts Dolving as staggered riffs and rich harmonies entwine to create a venomous canvas of interpersonal contempt.

    Find on iTunes Find It: ‘The Dead Eye’, 2006
  • ‘THE REFLECTION’

    Electro-acoustic serenity kick-starts this melancholy tale of uncertainty, before breaking into a mid-tempo-skip of bouncing riffs and stomach-churning bass rumbles.

    Find on iTunes Find It: ‘The Dead Eye’, 2006
  • ‘THREE TIMES’

    ‘How does it feel to be the victim! / Victim! / Victim!’ spits an irate Dolving atop a canvas of dense guitar grooves. Devastating proof that payback is indeed a bitch.

    Find on iTunes Find It: ‘The Haunted’, 1998
  • ‘TRESPASS’

    The proverbial garden fence, showcasing the quintet’s penchant for balancing lightning-paced precision with gentle, more subtle melodic passages to great effect.

    Find on iTunes Find It: ‘The Haunted Made Me Do It’, 2000
  • ‘UNDER THE SURFACE’

    One of the band’s catchiest yet often overlooked efforts. Boasting the closest to a sing-along chorus they’re likely to produce, the material that followed would appear truly staggering.

    Find on iTunes Find It: ‘The Haunted Made Me Do It’, 2000