More ordinary service is resumed on second track, Honeycomb, thrusting maniacally along on a raging blastbeat and swirling riff. But then, halfway through, it suddenly blossoms into a riff that – and this is no joke – could have fallen out of a guitar case Noel Gallagher’s had in the loft since 1997. Again, it adds a sense of light that’s brighter than a thousand suns holding Maglites, pulling the screamed vocals and black metal elements tied to it to a place that really shouldn’t work, but is almost amusing how well it does.
This tunefulness adds washes of colour to the 12-minute Canary Yellow, while the uplifting metallic charge of Glint demonstrates just how anthemic it’s possible to make a ferocious blastbeat sound. Night People (not a You Me At Six cover) is a gorgeous, piano-led ballad, while closer Worthless Animal even has something of a twisted sing-along. And though each of these songs – most of which casually stride over the 10-minute mark without you noticing – cover a hell of a lot of ground, they are seamless. No corner is too sharp, no surprise delivered with anything other than the light touch of a particularly stealthy assassin, and though the meanings of some songs may remain an enigma, the feelings they evoke are explanation enough on their own.
It’s always darkest before the dawn. But out of all the self-doubt and unhappiness from which it was born, Deafheaven have flourished magnificently here. Not just by making a good album, but by creating something that perfectly captures what they have become – a genuinely brilliant creative force unencumbered by genre, going wherever they will. Disregard what you may have thought about them before, Ordinary Corrupt Human Love is the honest sound of who Deafheaven really are
Words: Nick Ruskell
Ordinary Corrupt Human Love is out now on ANTI- Records. Check it out on the stream below.