By all accounts, Devin Townsend is compelled to create. He has very little say in the matter; it’s simply what he does.
Having recorded over 25 albums under various guises, the man's goal these days, as told to Kerrang!, is “to run out of things to say.” No small task. He’s written theatrical prog metal opuses before, but compared to the exploits of Ziltoid The Omniscient, The Moth is billed as a more sober affair.
It took Heavy Devy a decade to realise, enlisting the help of the 70-piece North Netherlands Orchestra and Choir to bring The Moth to life on stage last year. The opera’s central themes ponder on loss, change, self-acceptance, and the creative struggle to transcend one’s limitations.
So this time around there’s no coffee-swilling, flatulent alien protagonist. No poozers. No whackadoo antics. Although there is a loud, chicken buckaw to stop the staggering grandiosity of Orion from getting too up itself. This is, after all, a Devin Townsend record.