In recent years, Fireball’s Fuelling The Fire Tour has cemented itself as a cinnamon-flavoured mainstay in the touring calendar. Previously the tour has boasted party-starting acts such as Less Than Jake, Reel Big Fish, Anti-Flag and more – and this December’s line-up is no less raucous as headliners Flogging Molly bring along The Bronx, Face To Face and Lost In Stereo for the 10 date, whisky-fuelled blowout.
‘But who’s going to open these dates?’ we hear you ask. Good question. If only there were some sort of contest to find a red hot, local support act… you could call it Fireball’s Hottest Band 2019 Competition and – wait a minute – there is exactly such an event.
Glass of Fireball in hand, we headed down to the O2 Academy Islington to join the panel of expert judges and help find a local opening band for each of the three southern dates, Bournemouth, Bristol and London.
Fighting for the opening slot at the Bournemouth leg, accordion-wielding punks Sinful Maggie faced off against fellow Celtic-inspired punks Black Water County and wholesome rockers Death By Shotgun. Sinful Maggie came out swinging with a blazing set of Tim Armstrong-tinged punk rock, but alas it wasn’t to be. What Death By Shotgun lacked in Irish-shtick, them more than made up for in their ability to belt out hearty numbers in the vein of The Menzingers and Boston Manor. Ultimately though it was Black Water County who landed themselves a place on the stage with Flogging Molly in December. With help from a busload of Bournemouth lunatics wearing ‘Folk Shit Up’ T-shirts, the Emerald Isle-influenced six piece started the first moshpit of the evening and cemented themselves as the judges’ favourite for the south coast blowout.
Next up folk rockers Mick O’Toole (notably a five-piece band, not actually a man called Mick) went head-to-head with punk rockers The Run Up for a shot at that Bristol opening slot. Sadly, despite Mick O’Toole’s banjo player looking exactly like Star Wars’ Kylo Ren (may the folk be with you, sir), they couldn’t defeat the rebels in The Run Up, who’s huge tunes channelled the essence of The Wonder Years and Basement into a powerful and convincing performance. We’ll see you again in December over a shot of Fireball, chaps.