That Hum Of Hurt is Converge’s second full-length album of this year, following Love Is Not Enough’s release in February, is impressive. That it manages to be the equal of its excellent recent predecessor, while feeling so different musically, is nothing short of remarkable.
Despite the closeness of the two albums’ releases, and the fact the material for both was written during the same period, having not made a record solely under their own banner for nine years, these aren’t companion records.
People will, of course, naturally wonder how they compare and contrast to one another. While Love Is Not Enough was a vicious return to the New England stalwarts’ roots, an unrelenting assault exploring the idea that in these dark days, positive affirmations alone simply won’t cut it, Hum Of Hurt feels more artful, more textured, more considered. Given that its title refers to a natural phenomenon the band has interpreted as a seismic expression of human suffering, it’s certainly no more hopeful.