Pantera bassist Rex Brown has written a long and heartfelt tribute to his former bandmate Vinnie Paul, who passed away in his sleep on the 22nd of June. It appeared on his social media yesterday. Here it is in full:
I’ve been devastated, saddened, and shaken, almost beyond words, about the passing of my longtime brother in Pantera, Vincent Paul Abbott.
While I understand and appreciate the desire to hear from me, I have taken my time to collect my thoughts, to begin to process this terrible loss. I’ve chosen to decline the interview requests, because this is not about me. This moment belongs to Vinnie.
I’d like to send out my sincerest and heartfelt condolences to his relatives, to the Pantera family, to his newer family in Hellyeah, and to all of the fans that Vinnie Paul spent his life entertaining. My thoughts and prayers are with every one of you.
I’m especially heartbroken for Vinnie’s father, Jerry Abbott, who opened his studio and showed us the ropes in the early days. No man should have to bury his sons.
All I can do is focus on the great times and the brotherhood the four of us shared.
When I was in junior high, I’d heard of these boys, the Abbotts. I knew Vinnie Abbott was an outstanding drummer. We had met at a UIL contest for lab bands when I was 15. My high school had one of the best music programs in the country. I met Vinnie in tenth grade. I was playing bass and he was playing drums in one of the country’s most prestigious lab bands at the high school level. The lab band was always invited to Montreux Jazz Festival. The music directors were very cool, if you know what I mean.
Vinnie and I formed a really tight bond, as we would have to do sectionals. In these sectionals, they’d put Vinnie and I in a room, but rather than go over the stuff we were supposed to rehearse, we’d play Rush’s 2112 in its entirety instead.
The brothers and I went to every major concert together that came to town. We saw The Eagles, KISS, Pat Travers, Sammy Hagar, etc.
Vinnie’s little brother, Darrell, was by then learning a few chords from their father, who happened to be left-handed. When he was about 14, Darrell got in his room and studied all of the Randy Rhoads stuff on the first two Ozzy Osbourne albums. It changed his life completely. It was so surreal to watch somebody become such a protégé at such a young age. When Darrell emerged, by the age of 15, he’d won every major guitar contest in the Southwest region.
At some point they’d built a stage in their garage. Vinnie had a huge drum set. These guys had the only p.a. system in town, too, with microphones. What a blessing that was:: Around this time I was playing bass and singing in a three-piece band, Neck and the Brewheads. We’d play parties together, where we got paid in free beer and cheap acid. Dime would run sound for us and always arrived with a two-liter of Big Red soft drink and Slim Jim beef jerky, eating those things a half dozen at a time.
The brothers invited me to join their band, Pantera. We made our first album, Metal Magic, before I was 18…Playing Skating rinks to Prom’s to anywhere we could get a gig!! Aww..The exuberance of Youth.
Vinnie and I often went on fishing trips together back then. Even if we were hung over, we’d get up at six in the morning to go catch some fish. We usually went out on this big lake on the Texas/Louisiana border, Toledo Bend. Sometimes we’d go so far we’d get lost, or run out of gas in our little boat and have to paddle in. We even sunk a couple of those boats in our huge city lake and would have to swim to the shore.
I’d been around golf courses all of my life. I invited Vinnie out on the links once. After that, golf became our staple. I loved watching that guy hit a golf ball. He was so unorthodox! Sometimes he could just peel the shit off of a golf ball. We brought our clubs on the road with us every tour from about 1993 onward. We loved to play.
We became really tight over the course of those first three records, often playing six nights per week, five sets per night. When the old singer ran off, we got lucky enough to get Philip in the band. He brought something with him that was just incredible. Everything changed, from musical styles to things we hadn’t heard before. Our playlists were completely different now. The four of us were always together, playing all over the state of Texas, Louisiana, and Oklahoma, at the same time selling boatloads of cassettes and vinyl out of the back of our car.
Dime and I always shared a hotel room and we were always up to no good, while Vinnie and Philip – two completely different cats – had to listen to our antics from the room next door.
We recorded a record with Philip called Power Metal and sold 40,000 copies out of said car. The major labels were now interested. We’d had 28 turndowns in the previous six years. Atco Records came to the rescue.
Once we got our foot in the door (meaning major label), we didn’t get off stage and start partying right away like most bands did. IT WAS ALL ABOUT THE JAM. We’d sit there and go through everything about the performance, every tempo, and every cue. Everything had to be spot on, for all of us, even when we were terribly hungover. We wanted to keep bettering ourselves. The times we just let it go and let the magic happen, the music pulled us all together to make what we did so special.