I remember it well. It’s 1984: I’m 13 years old, it’s 6am, bloody freezing cold and I’m doing my paper round. To transport me away from this grim reality I have my Walkman (that’s a mini cassette player, kids) playing Rush's first live album All The World's A Stage. The album, released a decade earlier, blew my mind. It placed me front row and centre at this mythical concert. The guitarist was playing out of his skin, the bass player hammering punchy, melodic basslines with his insane vocals reaching notes I didn’t know existed... and that drummer. Oh my god, that drummer.
When I started drumming lessons, my older brother gave me the album. I played it to death, doing my best to play along to every rhythm and drum fill. What I was hearing was incredible. He brought such groove, power, speed and intense dynamics to the songs. He made those drums sing. That was the beginning of my ongoing admiration and respect for Neil Peart. Following that cold morning, I saved up weeks' worth of paper round money and my Rush collection grew. I couldn’t believe what I was hearing. 2112, Fly By Night, Moving Pictures... I was well and truly hooked. I would sit night after night at my drum kit figuring out every nuance of every rhythm, every fill and every stop and start of every song. Most of it I couldn’t play, but I could air drum and pretend! This was it. I’d found it. I loved every album and was so inspired by each that I almost didn’t want to move on to the next.