And heavy it is. An air of trepidation encircles the entire EP, coming from the Super Hans school of contemporary music, creating a powerful sense of dread. Recorded in the same sessions for the album, The Helm Of Sorrow manages to sound like a different entity, while still riding that wave of existential horror.
Opener Orphan Limbs offers initial serenity, an oasis of calm, but with one eye on what lurks in the shadowy edges. At first it feels much more like an ERR joint, but slowly Thou’s unmistakable tone creeps in, eventually turning this meditative babbling brook into a hellacious tsunami with 90 seconds of cacophony as all seven members unleash unbridled mayhem.
As with their previous outing, it’s the vocal interplay between Emma and Bryan Funck that truly elevates the record above the deafening sludge-ridden riffage. Every track is bursting at the seams, bulging with crushing menace and fear, with each cog in this fear machine moving in as violently and colourful a way as possible – from the abyssal Crone Dance to the brooding, suffocating Recurrence. At times it’s like being trapped in a labyrinth with every escape route blocked by another wave of torment, eventually filling the sky with pitch-blackness.