You’ve been away for a while working on new music – whereabouts in the process did MR OVERWHELM come to life?
“2025 was a write-off. I was trying to write stuff, but I was very depressed and not really coming out with my best work. I had an actual rest over Christmas, which I haven't really done for fucking years, and I was like, ‘If I had to encapsulate 2025 in one word, it would just be ‘overwhelmed’. Everything was just way too fucking much, I was constantly vibrating with stress. I looked through my voice memos, and there was one that went ‘It’s time go to bed, Mr Overwhelm.’
“I had a meeting last year with my manager, and he was like, ‘The album has a lot about how much you hate yourself, and maybe we could gear that more towards about the specifics of how you're feeling. Try an American Idiot-style song inspired by how fucked the world is right now.’ After those conversations, I had to figure out why the fuck I was feeling the way I felt.”
On that note, how are you coping with the feeling of dystopia right now?
“Because of how online I've been, and because there were people watching me during my developmental years, I've been living in this weird dystopia for longer than a lot of people have. I’ve never had a normal world. I feel like I'm going insane every single day, and the only thing that makes me feel not as insane is talking to other people about it and creating this little compartmentalised world that doesn't exist, but does exist, and I can control it in whatever way I want.”
“A lot of creative people do that because they want to escape something that's happening in their real world, which is exactly what this whole album is about. I feel like everybody's looking for escape, but that's another thing that the album grapples with - to what extent is it healthy to escape in that way? A lot of what made last year difficult was that all I was doing was trying to escape the world, my head, my responsibilities, and isolating myself. To a certain extent, it was good for me. It allowed my brain to rest, but in another way, but there's only so much escaping you can do before you go crazy for a different reason.”
Sonically, MR OVERWHELM does feel very NOAHFINNCE but is still a bit different too. What motivated that particular direction?
“With the last album, we'd go in for a session, and be like, ‘Okay, we need a song from this, because we need to have the album finished,’ so I would go in and just hope that we came out with something that I liked. With this one, we had loads of time to explore and fuck around. We brought in writers like Emily Phillips, who's like a pop writer who does loads of Rizzle Kicks stuff, and then right, and also [LostAlone’s] Steve Bateille and the guys in As It Is.
“The dreaminess of the piano and the calmness of it lends itself to that dream world that we're trying to create. Obviously, the chorus is fat as fuck and going from the cute piano stuff straight to that is exactly what being overwhelmed feels like for me. The way I write, I want it to sound how it feels in my head, the quietness and loudness is the ADHD and the autism beating each other the fuck up!”