All bands face some sort of trials and tribulations. Some will let it overcome them, overshadowing the years of work and letting it swallow them whole. Others, like Massachusetts death metal mob Fuming Mouth, will use it as stepping stones, drowning their demons to reach higher musical planes.
On third album The Ringing Bell, the band is born anew. While vocalist/guitarist Mark Whelan remains and Chris Berg has switched to bass, the duo are flanked now by guitarist Patrick Merson, and ex-Slipknot drummer Jay Weinberg. With this new set up, they reach new demonic depths wrought in nihilism and fury, centring here on the theme of overcoming death, as influenced by Mark’s own battle with cancer.
The first thing that becomes clear is that the frontman has never sounded better. His vocals have hit a new peak, with gutturals conjured straight from the seventh circle of hell and screams full of emotion and turmoil. After Oblivion in particular stands to be one of his best performances in the Fuming Mouth canon, and the gang vocals towards the end offer the track some semblance of a hook, which feels like a misnomer given the heft of the music.